Shooting for Karan Johar’s production of his untitled  film on global terrorism has been a terror experience for Rensil D’Silva.

After a warm invition   from the Film Commission of Britain, Rensil’s film was to be shot  in London.But had to be moved out when permission  was denied at the last minute.

"What was done was worse than denial of permission," says the angry writer-director. "They  wouldn’t  tell us an  outright no.But they put so many obstacles in front   of our crew we  had no option but to move out of London and shoot in Philadelphia where were were warmly welcomed. If it  wasn’t for  my  producer Karan Johar who stood by   me  through  all this upheaval I’d have never  been able  to  make   this  film."

In fact Rensil’s friends thought he was nuts to direct this story as his first  project.

"And they were nearly proven right when  everything fell apart in London.Our timing  was wrong. We went at a time when the  inquiry commissions were scrutinizing  the 7/7 tube-station bombings. Millions were being spent on advertising  the London  tube stations as being safe and inviting. The last thing they   needed was a film shot in  the underground of London about tube- station  bombings."

Now after having shot all the tube-station  sequences in  Philadelphia, Rensil  returns to New York to shoot the  rest  of the film. "We’ll do a bit of cheating. Philadelphia will fill in  for New York. No  one can tell  the  difference."

How far has 26/11 changed Rensil’s  film? "I’m shooting  the film exactly  the way I wrote it  initially. What has happened in Mumbai doesn’t alter the worldview on terrorism. It only strengthens  it. I’ve been warned that there has been a saturation as  far as  films on terrorism  are  concerned.  But I believe every filmmaker has  his own Take on terrorism. Unfortunatelty the alignment of terrorism with Islam remains unchanged."

 That’s where Rensil  sees a problem. "People would  object to some of my  film’s ideas and my characters’ ideology. But we can’t turn away from the truth. At least I can’t." - SAMPURN (Subhash K Jha)